| Kill and Kill Again | Deranged sequel to “Kill or Be Killed. “Think “Circle of Iron” with a little “Mandingo” and “1984” for seasoning. *** | | | | | |
| Plan 9 from Outer Space | Always mentioned, rarely matched for sheer absurdity. Gets boring though. ** | | | | | |
| Ghost House | Basic Italian fare but with ham radio* | | | | | |
| Breaker Breaker | Chuck Norris minus facial hair. Very disorienting. ** | | | | | |
| Manos: Hands of Fate | An all-time classic of Bad Cinema. Impossible to disimprove on. **** | | | | | |
| When a Stranger Calls Back | Tedious, and not in a good way. | | | | | |
| The Most Dangerous Game | Now we know why Fay Wray was a big deal * | | | | | |
| Omega Cop | Adam West as world mumbling champ * | | | | | |
| Lycan Colony | Modern direct-to-video with no redeeming qualities | | | | | |
| Time Chasers | A new take on the American Revolution. Also pleated Dockers.* | | | | | |
| Terror in the Wax Museum | Thrill as washed-up actors struggle to get a paycheck! * | | | | | |
| The Devil’s Hand | If Reefer Madness was a devil movie, it would look like this* | | | | | |
| Ninja Warlord | Fighting for truth, justice, and against fish taxes** | | | | | |
| Feeders | Outsider cinema or complete dreck? Leaning toward the latter. The childish FX are winsome, though.* | | | | | |
| Missile to the Moon | Attack of the rock creatures* | | | | | |
| Bronx Warriors | Moose knuckle, bad geography, post-apocalyptic field hockey gang ** | | | | | |
| Silent Rage | Chuck Norris vs. the Psycho Zombie *** | | | | | |
| The Guy from Harlem | Academy Award nomination for Worst Lighting. *** | | | | | |
| Velvet Smooth | Lost “Worst Lighting” award to The Guy from Harlem, but it was close. *** | | | | | |
| Future Force | Starring Fat David Carradine ** | | | | | |
| Death Promise | Kung fu revenge flick, better than most ** | | | | | |
| Yor, Hunter of the Future | Outstanding sword and sorcery epic with minimal plot to get in the way of the story, and breasts. **** | | | | | |
| Psychotronic Man | Rocky the barber discovers he can kill with his steely gaze. * | | | | | |
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