Woodland Valley — pre-stocking report, May 2-3, 2015

Woodland Valley — pre-stocking report, May 2-3, 2015

Greetings —

The brook looked in fine shape Saturday and Sunday, May 2-3, running at about 40 cfs, a little under the median flow.

I saw nothing in the Gillespie-Botchford pool except a half-dozen suckers Saturday, which were gone Sunday. The nymph clinic stretch, across from Nakamoto’s, looks flatter to me — not as many big rocks in there.

I got as far as the Colony pool.

Encouraged by reports of goodish rainbows in the brook, I had high hopes for the weekend.

But the only fish I caught was in the public stretch, half way between Herdman Road and the USGS gauge pull-off.

This was a decent, healthy brown of about 14 inches, who took a beadhead Prince (size 14) as the bottom fly of a three-fly rig.

It was also the first serious fish I have caught with a new 10-foot, four weight rod I took a chance on. (Another $150 special.)

Driving over to Woodland from Pantherkill Sunday night, I spotted some nice-looking water in the public area just downstream from the Woodland Trout Fund water. I snapped a few photos while down in there.

Still didn’t see any trout, though. There was a sporadic Hendrickson-ish hatch going on, but no surface action. I didn’t eve see shapes darting away when I waded right in.

That doesn’t mean the fish aren’t there. It just means I can’t see them.

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Creepy

Creepy

In the early part of the trout season, before the brush grows up, it’s possible to get to places that in a month will be protected by a dense jungle of thorny, wader-shredding, tick-harboring vegetation.

So the other day I made my way into the Blackberry River, starting just over the town line in Norfolk and working downstream.

The stream runs along a cornfield on one side, with woods and then cleared fields on the other. To fish it, bring a) a short rod  b) a box of soft-hackle wet flies and c) a willingness to stoop, bend, crawl, scootch and adopt otherwise undignified positions.

So here’s a run ending in a logjam. Standing on the left side looking downstream toward the hole, I swung a green soft-hackle wet in there, with a Stimulator as an indicator fly.

blackberry late april 2015 hole

I had something take a swipe at the wet fly. Then I waited for what seemed like hours but was probably five minutes. Then I tried again, and to my surprise, hauled this brook trout out. Almost certainly a recently stocked fish, but why the state boys would put a brook trout in here I don’t know.

blackberry brookie surprise

Here’s another look at the hole

blackberry late april hole 2

Blackberry River April 26 — Introducing Mongo

Blackberry River April 26 — Introducing Mongo

It was a crummy sort of day — chilly, mostly cloudy. I figured by early afternoon the water temperature might get up to the point where some bugs might start moving around, so I went over to the Blackberry River in East Canaan.

There was nobody at the big pool off Lower Road downstream of the bridge — the one where the spin and bait guys congregate.

This is unusual for a weekend. So I suited up and rigged up a three fly system of: Hendrickson dry up top; Hendrickson beadhead nymph in the middle; giant heavy woven green Czech thing on point.

All this on an old Orvis 8 foot 6 weight graphite. You can tell it’s old because that’s the model name: “Graphite.”

A long leader and some nifty wrist work allowed me to fling these things in such a way to achieve maximum dredging on the giant green thing, without sinking the dry.

Nothing happened and nothing happened some more, until something large and energetic took the GGT.

He ran one way. He ran the other way. Figuring he would spit out the barbless hook before I got him in the net, I took exciting photos of splashes with one hand while hanging on the the rod with the other.

I also noted the complete dearth of kibitizing nimrods who always seem to be around when I fall in or have to take a leak.

Finally I got this hawg in the net and snapped these not so hot pix before getting him back in the current. The fish was tired but got off under his own steam.

I estimate this bad boy at 25 inches long and 4 inches wide in the middle. He pretty much took up my large net. For reference, the GGT brought this 14-15 brown to net 100 yards upstream — normally a half-decent fish, but it seemed like a minnow compared to Mongo.

blackberry april 26 fight 2 blackberry april 26 fight blackberry april 26 mongo 2blackberry april 26 mongoblackberry april 26 magic fly blackberry april 26 minnow

“Salon Kitty” Not Up to Scratch

“Salon Kitty” Not Up to Scratch

I had high hopes for Tinto Brass’ Salon Kitty (1976). I had heard through the underground film grapevine (i.e. fellow sickos) that it rivaled Ilsa: She-Wolf of the SS in the Naziploitation genre.

And it could have, too. The “Salon Kitty” was a Gestapo brothel; the Nazis got the idea to bug the place and listen to the pillow talk as a way to ferret out spies, potential deserters and dissenters, and the like.

But somebody got the idea they were making a serious film, albeit one with lots of nekkidity. It’s the same notion that sank Caligula.

So what you wind up with is two hours plus of sporadic weirdness, some of the most annoying Nazis in screen history and entirely too many cabaret numbers.

The big ol’ orgy scene near the beginning is noteworthy, if only for the sheer number of writhing young members of the Master Race.

And one musical number would have been okay to set the decadent tone. But four? (Or was it five? I don’t remember, I used the fast-forward.)

And Brass does not miss an opportunity to editorialize against the Nazis, which is not a particularly bold or unusual stance.

We’re talking massive orgy, filmed a la Stanley Kubrick with a rigidly symmetrical long shot to establish the thing. Pubic hair trimming. Dwarf sex. Amputee sex. Breasts galore (lost count after a dozen). Nazi in Ubermensch/super hero outfit. Toe sucking. Bread dildo. Sex with “Triumph of the Will” showing on the wall. Shouting Nazis. Mincing Nazis. Cape-wearing Nazis. Luftwaffe brains blown out in shower by vengeful hooker. True love. Interminable musical nightclub intervals, and somebody took the time to write the songs. Way too much plot getting in the way of the story.

A grudging two coils, with a fast-forward caveat.

Zero Woman vs. The Stupid People

Zero Woman vs. The Stupid People

The gang’s all here, with their learning disabilities

In “Zero Woman: Red Handcuffs” ZW is a cop who entraps an evil diplomat who likes to beat up girls until they’re dead.

She does this so efficiently that, by golly, the diplomat gets dead. And for this outstanding bit of public service Zero Woman gets tossed in the coop.

Zero Woman gets this guy right in the diplomatic pouch

In the meantime, this guy who looks like a horse with Greg Brady hair gets out of prison and rejoins his moron friends. Together they form the absolute worst gang of all time.

They just happen to pile out of the weeds where the Japanese president’s daughter is sitting in a Datsun sedan explaining to her boyfriend why he’s got to go. The gang drags her out, rapes her, and brings her home for more fun.

Then they figure out who she is and demand a ransom. Or rather, their lesbian keeper figures it out.

The government decides the only way to handle this is to get Zero Woman out of jail and let her kill everyone.

The “Zero Woman” style — lots of blood, messily

For a “pink violence” flick this one’s got just enough plot to make it semi-sensible, but not so much that it detracts from the extended torture scenes, or the magic self-repairing green dress Zero Woman wears.

We’re talking about a dozen breasts, including a couple you’d probably rather skip. Strangling, garroting, shooting. Seven full gallons of blood, with special emphasis on the spurting. The regrettable state of Japanese male underpants ca. 1975. Entire gang afflicted with severe leaning disabilities. Everybody dies, pretty much. Short.

Three coils.

“Pervert!” — The Next “Bloodsucking Freaks”?

“Pervert!” — The Next “Bloodsucking Freaks”?

Mary Carey plays with her corn in Pervert! — an act of easily penetrable symbolism.

No, Jonathan Yudis’ Pervert! is not the next Bloodsucking Freaks. It’s too tasteful, for starters.

James is a dorky college student who goes home from Tulane or wherever for a summer with pa in Death Valley.

The father has one of those minor prophet names like Hezekebediah, wears overalls and makes meat sculptures — not a great medium out in the desert.

He also hires hookers to come out and live with him. One of them, played by erstwhile politician Mary Carey, has sex with James too.

But James has a terrible curse that involves the fact that his genitals have become detached from his own personal groinal area and are in fact a set of violent mutant genitals, with lots of sharp teeth and a very definite, if unfocused, desire to kill.

So what I want to know is how did James have sex with Mary Carey in the beginning of the flick?

This was keeping me up last night, but I got to sleep — finally — by counting breasts (22). A lake’s worth of blood. Random witch doctors. Sexually ambivalent neo-Nazi child-abusing auto mechanic. Attack penis and testicles, with teeth. Penis-Cam. Surprisingly good soundtrack. Really, really stupid.

How I Escaped from Hell, Only to Watch This Turkey

How I Escaped from Hell, Only to Watch This Turkey

Tuesdays are rough in the weekly newspaper business. They usually involve writing a story or two from the previous evening — two and a half hours’ worth of deep thoughts on wastewater treatment and the economic potential of Spandex-clad bicyclists this time — and proofreading, arguments about words, incessant food-related questions from Ye Editor, thinking up stories for next week, and an enduring headache.

So it was with considerable relief that I realized that not only did I not have any Tuesday night things to cover, but I had six Bimbos Behind Bars flicks to watch, courtesy of Amazon.

Unhappily, I started with “Femmine Infernali” (aka “Escape from Hell”), a piece of rancid Italian cheese from 1980.

The first clue that this was going to suck was the quality of the print. I think they set up a 16mm camera and sync sound recorder and filmed the screening of a 16mm print of the movie. Kind of like the guys who sneak little video recorders into theaters now and then sell the result as bootleg DVDs. At least the movie guys used a tripod.

But this sucker could have been pristine and it would still be awful, even though it has all the elements of a BBB movie — the shower scene, the lesbitation, the mud fight, the sadistic guards, the sadistic warden, the sadistic lesbitatious German female guardette.

And it adds some exciting new twists, such as de facto crucifixion, flogging while strapped to log, and burial up to the neck while the python approaches.

Or was it a boa constrictor?

The drunken doctor in the camp is the good guy. He gets his head out of the J & B bottle long enough to have sex with one of the gals, and lead them out on a mostly doomed escape bid.

Everybody else who isn’t a prisoner are the bad guys, including the tubby little warden, who is germaphobic — not helpful when running a ladies’ prison camp in the jungle.

We’re talking a couple of dozen breasts, and lots of groping of the female areas. Also slobbering. Exceptionally bad overdubbing, which combined with extraordinarily poor sound quality, make it impossible to follow the dialogue. (Extra half coil for this.)

What makes this particular piece of schlock stink, as opposed to your “Caged Heat” or “The Big Doll House”?

The pace is turgid, the exploitation scenes are by the numbers, and while I am generally against plot getting in the way of the story, there has to be some reason for these gals to be out in the jungle digging holes and filling them back up.

One and a half coils, in gratitude for not being able to make out the words.

She-Bop-a-Lulu

She-Bop-a-Lulu

The problem with The She Creature (1956) is the creature, frankly.

Look at the dark-haired girl who is being regressed by the evil Dr. Lombardi, back to the primeval ooze.

Now look at the She Creature, which is the eighty bazillion year old version of the same girl.

And now look at them together, and tell me something good about evolution.

So there’s this tycoon and he has a daughter who has dumped her drunk fiance and is making a play for the serious Dr. Erickson, played in earnest Eraserhead style by Lance Fuller. Meanwhile Dr. Lombardi (Chester Morris) is regressing the crap out of the beautiful Andrea (Marla English) and causing the She Creature to come out of the ocean and kill people who have nothing to do with anything.

Most of this movie has nothing to do with anything, but it doesn’t matter, because once the She Creature gets moving and the body count mounts the flick moves right along.

One too many hypnosis scenes. Galloping pocket squares. Eraserhead hairstyle on Lance. Bulging bodices. Monster breasts, modestly covered with what appear to be scales. Eight bodies. Sinister smoke. Past life regression, with bizarre Cockney commentary.

Idiotic. Mildly amusing. On a two-fer DVD with The Day the World Ended. Two coils.

Dragnet ’67 — The Triumph of the Square

Dragnet ’67 — The Triumph of the Square

It was 3:15 p.m. and I’d stopped in at the library. On a table were DVDs and a sign — “All DVDs and CDs $1.”

I grabbed some spaghetti westerns, some Italian mob flicks — and a box set of “Dragnet 1967.”

The first episode, about LSD, was a real historical artifact. Sgt. Friday and Officer Gannon couldn’t arrest this kid “Blue Boy” because LSD wasn’t illegal — yet.

So when they found him with his face painted half blue, half yellow, with his head in an anthill, all they could do was take him home to his unappreciative parents.

Some months later they get some action from the legislature, and they go after Blue Boy. Alas, he’s gone on The Last Trip.

That’s just the beginning…

SEE! Jack Webb’s curious gait, in which he walks without moving his UPPER BODY!

THRILL! To Harry Morgan’s high roll three-button sack suit — with TWIN VENTS!

GASP! At the tripster with his head stuck — in an ACTUAL ANTHILL!

WONDER! At Sgt. Friday wearing the same grey jacket for weeks on end — even to a NEO-NAZI’S SECRET LAIR!

This is tremendous stuff. Robbers who only hold up candy stores, a rich lady who tries to defraud the insurance company when her “imperial jade” is stolen, criminals in sports jackets.

Four unabashed coils.

McBain on the Silver Screen

McBain on the Silver Screen

Carelli and Teddy signing, sort of.

Vincent Gardenia, somewhat wilted

It was hot in the city, and air conditioning hadn’t been invented yet. Or something.

Yes, that’s Jerry Orbach

I’ve been on my semi-annual Ed McBain tear, especially the 87th Precinct novels, without which there would be no “Law and Order.”

Speaking of “Law and Order,” the 1958 version of “Cop Hater” features an impossibly young Jerry Orbach as a street punk, head of a gang — er, social club called “The Grovers.” You can tell the members from the general population by their tight tees that say “Grovers” on them. Also the pomade.

Vincent Gardenia, who used to pop up in 70s situation comedies like “All in the Family,” is also on tap as alcoholic informer Danny the Gimp.

The film dispenses with the fictional “Isola” but doesn’t exactly name the city, either. And for some reason they thought it wise to make Detective Steve Carella into a Carelli.

It’s a fast flick, and a little sneaky in that the opening sequence makes it unclear if we’re looking at a cop or a cop hater.

It’s also pretty raunchy for the time — lots of semi-clad female pulchritude, in towels and underwear.

Surprisingly straightforward treatment of the Teddy Franklin character, Carelli’s deaf/mute girlfriend.

Very bang bang. Anticipates the “CSI” shows by, oh, 50 years. Excellent noir direction. No wasted razzmatazz. A thoroughly solid B movie, often overlooked and not all that easy to find (got my DVD from a third party Amazon seller).

Four coils.