The Science is Settled

The Science is Settled

 

“Let Sleeping Corpses Lie” is the flick that answers the question “Wouldn’t it be great if government scientists could barge around the countryside beaming rays into things?”

Some geniuses from the Ministry of Agriculture have developed a gizmo that zaps bugs. It doesn’t just wipe ’em out, it turns the bugs into raving lunatics that kill each other.

Alas, this boon to agriculture has a slight downside — the ray also reanimates the corpses of the recently deceased. And these zombies don’t emulate the insects and take it out on each other — nooo, they feel a deep-seated need for human flesh. Living human flesh.

So this snotty hippie type gets his motorcycle clipped by a nitwit in a Mini at the gas station, and since the bike won’t be ready until Monday they set off together.

And of course they get lost so they stop at a farm where the hippie gets his first look at the Death Ray truck and the gal gets her first look at the Wet Zombie.

Then there is a whole lot of plot revolving around the Inspector (Arthur Kennedy) who says terrific things to the hippie, like “You’re disgusting, the lot of you, with your drugs and your sex.”

In the DVD’s interview with director Jorge Grau he relates how the producers kept bugging him to make something like “Night of the Living Dead.” He resisted at first but when he finally decided to rip off the ur-zombie movie, he did it very, very well.

I’m talking gut-eating, eyeball-sucking, foot-grabbing, gunshot-resistant zombie action, in the finest Romero tradition.

Also in the Romero tradition is the heavy-handed social commentary, without which these kinds of movies would be simply creative displays of anatomy.

One breast, ripped. Four gallons of blood. Consistently wet zombie. Heroin addict. Bad photography. Incestuous zombie attacks (two). Many exciting scenes shot in the dark. Great zombie noises. Two “Oh I don’t have the keys to the car and the zombies are coming” moments.

Stupid scientists with even stupider machine.

Very interesting interview with the director.

I don’t know how I overlooked this gem. Straight to the all-time list. Four coils.

Proto-glop “Fiend”

Proto-glop “Fiend”

 

Arthur Crabtree’s “Fiend Without a Face” (1958) is a nifty little Cold War sci-fi shocker that apparently caused a stir with the depictions of the mutant brain-creature fiend things getting shot or clobbered — with appropriate splatter.

See, there’s this USAF base way the hell up in Manitoba somewhere, and they are playing around with a nuclear reactor to get a better picture on their radar screens. Meanwhile people in the small town nearby start croaking, and it’s kinda odd — their brains and spinal cords are sucked out.

Jeff, the handsome American major, figures out that the stupid mad scientist professor is behind it all. The prof, while working on telekinesis experiments, managed to summon up out of his diseased academic brain an invisible monster that shuffles around, making slurping noises, until — SHPLOOT! Another brain sucked away.

For some reason the creatures become visible for the last third of the flick, and this is where it gets fun. They are basically brains with tails — they use the tails to push themselves along until they fly up and wrap themselves around the victim’s neck.

We’re talking good-looking girl in late 50s tight pants. Flying attack brains. Jeep. Manitoban goobers. Giant sucking sounds. Highly dubious science. Extremely cavalier approach to nuclear power (“Whaddya mean the rods are all smashed? Where can we get some more?”)

And attack brains getting shot, getting clubbed, getting their radioactivity shut off, with appropriate gurgles and glop.

“Fiend” was ahead of its time. The stop-action effects are pretty much the same as those used years later by (to pick one example) Sam Raimi in the first two “Evil Dead” flicks.

Nice, tight little flick. Three coils.

Sharktopus, or Why You Should Not Go to Mexico Without a Big Nuclear Spear Gun

Sharktopus, or Why You Should Not Go to Mexico Without a Big Nuclear Spear Gun

In Declan O’Brien’s Sharktopus (2010) there are two problems.

The first is how to get as many taut firm young bikini-clad bodies in the film as possible.

The second is, inexplicably, how to keep those bikinis firmly in place.

In a film that requires an unusually robust suspension of disbelief — not just for the Sharktopus itself, but for the laptop that never runs out of juice and boots up in seconds, the cell phone that always gets service, the magic machine gun with the eternal supply of bullets — the idea that all these panic-stricken bathing beauties can run away from a giant mutant man-eating ambulatory shark/octopus without losing a bikini top here or there simply won’t do.

This is why the SyFy Channel should not be allowed to make movies — even if the producer is Roger Corman.

A SyFy movie has to be shown on the SyFy Channel, which is readily available to every Tom, Dick and Methodist.

That in turn means no nekkidity, no cussing, and none of the other elements that make the cinema the great art form it is today — like sex scenes interrupted by a giant mutant man-eating ambulatory shark/octopus, for instance.

There’s some plot I won’t bore you with, except that it’s that darn old military-industrial complex fiddling around with the genetic balance again. Amazingly, the movie does not blame George W. Bush. For anything.

We’re talking bikinis galore, all occupied and none in transition, for an automatic one-coil deduction.

Fire-dancing routine for stupid fat tourists entertainingly interrupted by Sharktopus. Boat, Volkswagen convertible eaten by same. Spoiled whiny girl who reminded me of my last girlfriend so much that I cheered when she was neatly plucked from the bungee jump by Sharktopus. Head popping. Tentacle fu. Confusing subplot that ends happily when annoying TV reporter gets mauled. Confusing subplot that ends happily when pirate radio deejay gets mauled.

With some mild nudity, this could have been a truly noteworthy film. With lots of utterly pointless and gratuitous nudity, this could have been a serious contender for an Iron Coil — right up there with heavyweights like Bloodsucking Freaks, Zombie Lake and Ilsa: She-Wolf of the SS.

As it is, Sharktopus gets full marks for funny story and not wasting a lot of time on plot; the special effects are just as goofy as they need to be; and at 89 minutes it’s a sandwich and a seltzer kinda deal.

Three coils

Convents and Roses and Nuns, Oh My!

Convents and Roses and Nuns, Oh My!

School of the Holy Beast (1974) is an unpleasant little Japanese nun-sploitation flick that will have you rethinking your relationship with your florist.

Maya (Yumi Takigawa) enters the convent where her mother died 18 years earlier, under suspicious circumstances

The nuns are sorted into cliques, none of them are very nice, and there’s a fair bit of lesbitation going on. There’s also a Western woman floating around, for no apparent reason other than the lesbitation.
It’s hard to figure out what is going on, plus the star and the second female lead look very similar, so I wasn’t sure who was doing what.
Yumi’s big moment is the slow-motion rose-whipping scene. In the DVD’s interview with the actress, she says she wasn’t completely hip to what the flick was about and resented the nudity that director Norifumi Suzuki insisted on.
So those are real grimaces in the rose scene — not of pain, but of anger and disgust — and that takes the exploitation level up a notch.

Eight breasts, give or take. Whipping (self-administered). Whipping by others. Whipping with roses. Flowery panties cause conniption in abbess. Dorky guys get smuggled over the wall. Dialogue about God (existence of) lifted from “The Seventh Seal.”

Starts out well, gets bogged down in incomprehensible plot, picks up again with rose scene. Essentially pointless, but not a horrible way to spend an hour and a half.

Bonus interview with tubby Japanese film critic who knows entirely too much about porno.

Two and a half coils.

Woodland Valley — pre-stocking report, May 2-3, 2015

Woodland Valley — pre-stocking report, May 2-3, 2015

Greetings —

The brook looked in fine shape Saturday and Sunday, May 2-3, running at about 40 cfs, a little under the median flow.

I saw nothing in the Gillespie-Botchford pool except a half-dozen suckers Saturday, which were gone Sunday. The nymph clinic stretch, across from Nakamoto’s, looks flatter to me — not as many big rocks in there.

I got as far as the Colony pool.

Encouraged by reports of goodish rainbows in the brook, I had high hopes for the weekend.

But the only fish I caught was in the public stretch, half way between Herdman Road and the USGS gauge pull-off.

This was a decent, healthy brown of about 14 inches, who took a beadhead Prince (size 14) as the bottom fly of a three-fly rig.

It was also the first serious fish I have caught with a new 10-foot, four weight rod I took a chance on. (Another $150 special.)

Driving over to Woodland from Pantherkill Sunday night, I spotted some nice-looking water in the public area just downstream from the Woodland Trout Fund water. I snapped a few photos while down in there.

Still didn’t see any trout, though. There was a sporadic Hendrickson-ish hatch going on, but no surface action. I didn’t eve see shapes darting away when I waded right in.

That doesn’t mean the fish aren’t there. It just means I can’t see them.

woodland 1 woodland 2 woodland 3 woodland 4 woodland 5 woodland 6 woodland public may 2 woodland trout may 2 woodland unexplored 2 woodland unexplored 3 woodland unexplored

Creepy

Creepy

In the early part of the trout season, before the brush grows up, it’s possible to get to places that in a month will be protected by a dense jungle of thorny, wader-shredding, tick-harboring vegetation.

So the other day I made my way into the Blackberry River, starting just over the town line in Norfolk and working downstream.

The stream runs along a cornfield on one side, with woods and then cleared fields on the other. To fish it, bring a) a short rod  b) a box of soft-hackle wet flies and c) a willingness to stoop, bend, crawl, scootch and adopt otherwise undignified positions.

So here’s a run ending in a logjam. Standing on the left side looking downstream toward the hole, I swung a green soft-hackle wet in there, with a Stimulator as an indicator fly.

blackberry late april 2015 hole

I had something take a swipe at the wet fly. Then I waited for what seemed like hours but was probably five minutes. Then I tried again, and to my surprise, hauled this brook trout out. Almost certainly a recently stocked fish, but why the state boys would put a brook trout in here I don’t know.

blackberry brookie surprise

Here’s another look at the hole

blackberry late april hole 2

Blackberry River April 26 — Introducing Mongo

Blackberry River April 26 — Introducing Mongo

It was a crummy sort of day — chilly, mostly cloudy. I figured by early afternoon the water temperature might get up to the point where some bugs might start moving around, so I went over to the Blackberry River in East Canaan.

There was nobody at the big pool off Lower Road downstream of the bridge — the one where the spin and bait guys congregate.

This is unusual for a weekend. So I suited up and rigged up a three fly system of: Hendrickson dry up top; Hendrickson beadhead nymph in the middle; giant heavy woven green Czech thing on point.

All this on an old Orvis 8 foot 6 weight graphite. You can tell it’s old because that’s the model name: “Graphite.”

A long leader and some nifty wrist work allowed me to fling these things in such a way to achieve maximum dredging on the giant green thing, without sinking the dry.

Nothing happened and nothing happened some more, until something large and energetic took the GGT.

He ran one way. He ran the other way. Figuring he would spit out the barbless hook before I got him in the net, I took exciting photos of splashes with one hand while hanging on the the rod with the other.

I also noted the complete dearth of kibitizing nimrods who always seem to be around when I fall in or have to take a leak.

Finally I got this hawg in the net and snapped these not so hot pix before getting him back in the current. The fish was tired but got off under his own steam.

I estimate this bad boy at 25 inches long and 4 inches wide in the middle. He pretty much took up my large net. For reference, the GGT brought this 14-15 brown to net 100 yards upstream — normally a half-decent fish, but it seemed like a minnow compared to Mongo.

blackberry april 26 fight 2 blackberry april 26 fight blackberry april 26 mongo 2blackberry april 26 mongoblackberry april 26 magic fly blackberry april 26 minnow

“Salon Kitty” Not Up to Scratch

“Salon Kitty” Not Up to Scratch

I had high hopes for Tinto Brass’ Salon Kitty (1976). I had heard through the underground film grapevine (i.e. fellow sickos) that it rivaled Ilsa: She-Wolf of the SS in the Naziploitation genre.

And it could have, too. The “Salon Kitty” was a Gestapo brothel; the Nazis got the idea to bug the place and listen to the pillow talk as a way to ferret out spies, potential deserters and dissenters, and the like.

But somebody got the idea they were making a serious film, albeit one with lots of nekkidity. It’s the same notion that sank Caligula.

So what you wind up with is two hours plus of sporadic weirdness, some of the most annoying Nazis in screen history and entirely too many cabaret numbers.

The big ol’ orgy scene near the beginning is noteworthy, if only for the sheer number of writhing young members of the Master Race.

And one musical number would have been okay to set the decadent tone. But four? (Or was it five? I don’t remember, I used the fast-forward.)

And Brass does not miss an opportunity to editorialize against the Nazis, which is not a particularly bold or unusual stance.

We’re talking massive orgy, filmed a la Stanley Kubrick with a rigidly symmetrical long shot to establish the thing. Pubic hair trimming. Dwarf sex. Amputee sex. Breasts galore (lost count after a dozen). Nazi in Ubermensch/super hero outfit. Toe sucking. Bread dildo. Sex with “Triumph of the Will” showing on the wall. Shouting Nazis. Mincing Nazis. Cape-wearing Nazis. Luftwaffe brains blown out in shower by vengeful hooker. True love. Interminable musical nightclub intervals, and somebody took the time to write the songs. Way too much plot getting in the way of the story.

A grudging two coils, with a fast-forward caveat.

Zero Woman vs. The Stupid People

Zero Woman vs. The Stupid People

The gang’s all here, with their learning disabilities

In “Zero Woman: Red Handcuffs” ZW is a cop who entraps an evil diplomat who likes to beat up girls until they’re dead.

She does this so efficiently that, by golly, the diplomat gets dead. And for this outstanding bit of public service Zero Woman gets tossed in the coop.

Zero Woman gets this guy right in the diplomatic pouch

In the meantime, this guy who looks like a horse with Greg Brady hair gets out of prison and rejoins his moron friends. Together they form the absolute worst gang of all time.

They just happen to pile out of the weeds where the Japanese president’s daughter is sitting in a Datsun sedan explaining to her boyfriend why he’s got to go. The gang drags her out, rapes her, and brings her home for more fun.

Then they figure out who she is and demand a ransom. Or rather, their lesbian keeper figures it out.

The government decides the only way to handle this is to get Zero Woman out of jail and let her kill everyone.

The “Zero Woman” style — lots of blood, messily

For a “pink violence” flick this one’s got just enough plot to make it semi-sensible, but not so much that it detracts from the extended torture scenes, or the magic self-repairing green dress Zero Woman wears.

We’re talking about a dozen breasts, including a couple you’d probably rather skip. Strangling, garroting, shooting. Seven full gallons of blood, with special emphasis on the spurting. The regrettable state of Japanese male underpants ca. 1975. Entire gang afflicted with severe leaning disabilities. Everybody dies, pretty much. Short.

Three coils.

“Pervert!” — The Next “Bloodsucking Freaks”?

“Pervert!” — The Next “Bloodsucking Freaks”?

Mary Carey plays with her corn in Pervert! — an act of easily penetrable symbolism.

No, Jonathan Yudis’ Pervert! is not the next Bloodsucking Freaks. It’s too tasteful, for starters.

James is a dorky college student who goes home from Tulane or wherever for a summer with pa in Death Valley.

The father has one of those minor prophet names like Hezekebediah, wears overalls and makes meat sculptures — not a great medium out in the desert.

He also hires hookers to come out and live with him. One of them, played by erstwhile politician Mary Carey, has sex with James too.

But James has a terrible curse that involves the fact that his genitals have become detached from his own personal groinal area and are in fact a set of violent mutant genitals, with lots of sharp teeth and a very definite, if unfocused, desire to kill.

So what I want to know is how did James have sex with Mary Carey in the beginning of the flick?

This was keeping me up last night, but I got to sleep — finally — by counting breasts (22). A lake’s worth of blood. Random witch doctors. Sexually ambivalent neo-Nazi child-abusing auto mechanic. Attack penis and testicles, with teeth. Penis-Cam. Surprisingly good soundtrack. Really, really stupid.